"Arny Krueger"
In my travels I've discovered a source of technical tests right here in
the UK.
It is the Miller Audio Research Avtech web site:
http://www.milleraudioresearch.com/avtech/index.html
** No " sign in " sites PLEASE !!
Miller Reasearch is well-known for their heavy involvement with testing
audio gear for jitter,
** So they are full-on lunatics from the dark side of audio.
At any rate I noticed a test that makes me smile: atest of a legacy Leak
20.
http://www.milleraudioresearch.com/d...stereo_20.html
Now we all expect legacy power amps to be a little dirty, but this one has
seems to have an unexpected featu jitter.
Take a look at the FFT plot for "Stereo Continuity" (first FFT plot) and
tell me that you don't see the classic symmetric spurious response pattern
characteristic of modulation distortion around the fundamental and first
few harmonics.
Now, I guess we can't tell if this is AM distortion or FM distortion, but
modulation distortion it is for sure. It appears that the source of the
modulating signal is the power line (50 Hz).
Any speculation about how this came to be? My first 2 guesses being tons
of hum in the power supply and directly heated cathodes don't seem to fit
with other evidence at hand, including a schematic.
** See schematic:
http://www.reocities.com/stereo20/dwnloads/stereo20.gif
The LEAK Stereo 20 is an ULTRALINEAR tube/valve power amp.
One thing that all UL output stages are very susceptible to is *supply
ripple voltage* !!
Why? Cos unlike most class A or AB tube PP stages, the screen supply is
subjected to the SAME ripple voltage as the plates are. If there is
significant ripple on the plate supply - it MODULATES the gain of the
output stage.
( Some AM transmitters work exactly this way)
Soooo, if you elect to use a UL output stage - you have just got to filter
the DC supply properly. This pretty much means using an iron cored choke in
the HT filter circuit to reduce the ripple voltage to well under 1 volt p-p.
Harold Leak cheap skated and went for a 100 ohm resistor instead of a choke.
Ergo, the output stage has some residual 100 / 120 Hz amplitude modulation
that the NFB cannot fully correct.
BTW:
The famous Fender " Super Twin" guitar amp has a MASSIVE dose of the same
problem. The output stage uses 6 x 6L6GCs in UL with SFA filtering of the HT
supply - so the ripple is about 40 volts p-p at full power.
The modulation is so bad a deaf person can hear it on a 1kHz sine wave and
it makes the amp sound just awful on guitar chords. Big mistake.
The amp is a notorious lemon as a result.
..... Phil