In article ,
Graeme wrote:
In message , Mike Fleming
writes

The producer of a studio creation will be trying to create the sound
he feels is ideal, so it's only polite to try to reproduce that sound
accurately.

Not sure how well I can express myself here. I think two different
experiences are being discussed. Listening to 'classical' musical, it
is the sound engineer is trying to capture that live sound, to be
reproduced at home via CD.

With 'popular' (including pop/rock/country/whatever) music is not the
opposite true? Whether we are discussing a recording made last week or
the Crystals in 1963, it is the live artist trying to reproduce the
sound record buyers hear on the LP/CD.

In other words, the 'real' sound with classical is what we hear live.
With pop, the 'real' sound is decided by the engineer.

It is in both cases.

If you were to do a rule of thumb for a classical recording with no chance
to experiment or rehearse in the venue, you'd simply sling a stereo pair
above the conductor. Since he is the one who 'engineers' the balance of
the orchestra. But that's not a place any member of the audience can hear
the work from.

--
*Consciousness: That annoying time between naps.

Dave Plowman London SW
To e-mail, change noise into sound.